In Janice Pariat’s debut novel Seahorse, time is tethered to love, to obsessions, to personal myths.
Annie Zaidi takes the tropes of the conventional ghost story and breathes new life into them.
Mukherjee writes with subtlety and intelligence, never quite allowing any of his characters to assume a moral authority.
Mushtaq Ahmed Yosufi’s novel captures the overpowering sense of nostalgia that erupted in the Indian subcontinent after the partition.
As an introduction to the world of Hindu tales for the uninitiated, John Jackson’s book is a fascinating read.
Vikram Nair’s debut novel is humorous and unpretentious; a book that celebrates life in all its natural flavours.
Graphic India’s latest graphic novel pays tribute to an unforgettable character from Indian cinema.
Jhumpa Lahiri understands the immigrant instinct and its compulsions only too well.
As an author, Krishna Udayasankar’s strength lies in demonstrating characters and ideas, not describing them in paragraph after droll paragraph.
In her debut novel, Roshi Fernando beautifully captures the guilt and loneliness of a tightly knit Sri Lankan famiy in South London.
With her second book, Meghna Pant offers an emotional, compelling insight into the lives of people around us.
It is by listening to the songs as incomplete but coherent narratives set to music that Goldspot’s latest album comes into focus.