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By Pooja Pillai · Why does Ma Anand Sheela continue to 'love' Osho even after he accused her of bio-terrorism and was responsible for her stint in prison?
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By ANJA · Rajat Chaudhuri's latest novel sees a motley bunch of hotel guests sharing stories of which they are observer, star, and occasional victim.
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By Niharika Mallimadugula · Manu Joseph deftly weaves a novel that is a rare sighting: a blue moon, exciting and wholly fulfilling.
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By Urvashi Bahuguna · Amruta Patil returns the Mahabharat closer to its original canvas; far more crowded and complicated than most Indians may be familiar with.
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By Mohini Mukherjee · How do you best challenge the fact that in India, finding a woman in a position of power at her workplace is almost always the exception to the rule?
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By Shruti Rao · Anjali Joseph's second novel seems to be about 21-year-old Leela’s relationship with herself via the men she chooses to date in different countries.
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By Shruti Rao · In a book that is perhaps meant to target all age groups, Sudha Murty’s writing is easily accessible and readable.
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By Neeharika Palaka · You’ve got to admit that music-wise, the Riot Peddlers—a three-piece punk rock band from Mumbai—are on top of their game.
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By Shruti Rao · P. Sivakami's stories refuse to mollycoddle the reader into a sense of ennui, the worst weapon in an indifferent world.
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By Shruti Rao · Translated from Malayalam by Chetana Sachidanandan, Anand's The Book of Destruction is anything but feel-good—and that’s a good thing.
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By Neeharika Palaka · Rummage through the songs on Gowri Jayakumar's debut album, and you will find snippets and cut-outs of bygone youth and distant memories.
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By Shruti Rao · T. S. Tirumurti sets the stage for a tale of duty, love, and family that spans across continents and generations.
