The Brown Anthology: Language, the first release from artist-owned ૧૦:૧૦ Press, explores solidarities that are built on recognising that our roots and futures are tangled up in each other across disjunctions and continuities.
Deepa Anappara’s debut novel is vivid and deeply moving, plunging you into the distraught lives inhabiting a slum in a smog-heavy, unnamed Indian city.
A coming-of-age tale, Sabin Iqbal’s debut novel is a nuanced blend of the personal and the political, set against the dreamy backdrop of a picturesque coastal village in Kerala.
Achal Mishra’s Maithili-language film Gamak Ghar is pieced together from tangible and intangible relics from and of an earlier time and place.
Aruni Kashyap’s stories call for greater humility, acceptance of difference, and keeping our strongly held (maybe even ill-formed) opinions about others to ourselves.
Facial hair plays an important role in Madhu C. Narayanan’s Kumbalangi Nights, a film that brings to the surface the perils inherent in popular notions of masculinity.
Jokha Alharthi’s Man Booker International Prize-winning novel employs elaborate and poetic prose as it gazes into Oman’s cultural bounty.
Amrita Mahale’s debut novel takes you on an engaging journey through the crowded streets and tiresome middle-class hypocrisy of ’90s Bombay.
The path to the American dream is paved with nightmares in Sonejuhi Sinha’s Stray Dolls, which premiered at the Tribeca Film Festival last month.
In its lyrical, deconstructed form, Tishani Doshi’s latest novel tells the story of big things that happen in small places.
Perumal Murugan’s latest novel is not primarily allegorical, but accords animalkind the dignity and depth of feelings that they are rarely manifested with in literature.
In Kuzhali Manickavel’s stories, readers are refused a comfortable distance from the narrative, and find themselves directly implicated.