Amrita Mahale’s debut novel takes you on an engaging journey through the crowded streets and tiresome middle-class hypocrisy of ’90s Bombay.
In its lyrical, deconstructed form, Tishani Doshi’s latest novel tells the story of big things that happen in small places.
In conversation with Vandana Singh about climate change, speculative fiction, semiotics, the nature of language, and her new book Ambiguity Machines and Other Stories.
In conversation with Easterine Kire about war, the importance of community, documenting unwritten histories, and her latest novel A Respectable Woman.
Vol. 6 of our New Writing anthology is our third one in print and features original writing handpicked by Meena Kandasamy and Eunice de Souza. Get your copy now!
Perumal Murugan’s latest novel is not primarily allegorical, but accords animalkind the dignity and depth of feelings that they are rarely manifested with in literature.
Sumana Roy’s debut novel Missing is a study of the modern marriage, played out against the awareness of the question: what happens when a wife goes missing? Read an excerpt from the book here.
In Kuzhali Manickavel’s stories, readers are refused a comfortable distance from the narrative, and find themselves directly implicated.
Sujata Massey’s novel is best described by Dirk Gently’s maxim that to solve a crime, one must investigate the society in which it takes place.
A worthy venture into the deep, dark world of Indian cyber-terrorism that should attract more detailed investigations and the placement of legal safeguards online.
Rohan Chhetri does not make any bones about the fact that Slow Startle is a book about death.
Preti Taneja’s Delhi contains sustained subterranean anger, abundant misogyny, and the superficial glory of unimaginable wealth.