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By Urvashi Bahuguna · In Janice Pariat's debut novel Seahorse, time is tethered to love, to obsessions, to personal myths.
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By Kaartikeya Bajpai · Largely regarded as India's first Marathi neo-noir film, Pune 52 has all the elements one has come to expect from unconventional cinema in India.
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By Urvashi Bahuguna · Annie Zaidi takes the tropes of the conventional ghost story and breathes new life into them.
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By Tanushree Bhasin · Mukherjee writes with subtlety and intelligence, never quite allowing any of his characters to assume a moral authority.
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By Tanushree Bhasin · Mushtaq Ahmed Yosufi's novel captures the overpowering sense of nostalgia that erupted in the Indian subcontinent after the partition.
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By Tanushree Bhasin · As an introduction to the world of Hindu tales for the uninitiated, John Jackson's book is a fascinating read.
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By Ateendriya Gupta · Vikram Nair's debut novel is humorous and unpretentious; a book that celebrates life in all its natural flavours.
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By Urvashi Bahuguna · Graphic India’s latest graphic novel pays tribute to an unforgettable character from Indian cinema.
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By Niharika Mallimadugula · Jhumpa Lahiri understands the immigrant instinct and its compulsions only too well.
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By Shruti Rao · As an author, Krishna Udayasankar’s strength lies in demonstrating characters and ideas, not describing them in paragraph after droll paragraph.
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By Apoorva Tadepalli · In her debut novel, Roshi Fernando beautifully captures the guilt and loneliness of a tightly knit Sri Lankan famiy in South London.
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By Kony Chatterjee · With her second book, Meghna Pant offers an emotional, compelling insight into the lives of people around us.
