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By Shruti Rao · As an author, Krishna Udayasankar’s strength lies in demonstrating characters and ideas, not describing them in paragraph after droll paragraph.
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By Apoorva Tadepalli · In her debut novel, Roshi Fernando beautifully captures the guilt and loneliness of a tightly knit Sri Lankan famiy in South London.
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By Kony Chatterjee · With her second book, Meghna Pant offers an emotional, compelling insight into the lives of people around us.
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By Anirudh Karnick · It is by listening to the songs as incomplete but coherent narratives set to music that Goldspot's latest album comes into focus.
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By Kony Chatterjee · In Tharun James Jimani’s debut novel, the personification of the 1990s, while never quite made obvious, is apparent in every page.
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By Shweta Upadhyay · Despite the emotions that bind this collection of stories, Kumar’s prose is never elegiac. There is always humour, love, and the possibility of redemption.
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By Shruti Rao · Revathi Suresh's debut effort is a coming-of-age novel and it takes that trope head on, without cloaking it in something else.
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By Shruti Rao · The representation of young adults and their issues in 17-year-old Suzanne Sangi's debut novel is surprisingly competent.
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By Shruti Rao · Judy Balan's second book ends up being an echo of what might have been, in an alternate universe, an incisive, fun novel.
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By Senthil Duraisamy · Mohsin Hamid's latest book makes you turn your attention to lives and situations that you may not have considered before.
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By Neeharika Palaka · Kamal Singh as Hoirong has released a brilliant, thoughtful debut that is as evocative of Seattle in the '90s as Bangalore in the mid-'00s.
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By Pooja Pillai · Why does Ma Anand Sheela continue to 'love' Osho even after he accused her of bio-terrorism and was responsible for her stint in prison?
