Issue: May-August 2019
In conversation with Nandita Dutta, whose book F-Rated examines Indian filmmaking through the eyes of eleven women directors who have been central to the industry across decades.
Facial hair plays an important role in Madhu C. Narayanan’s Kumbalangi Nights, a film that brings to the surface the perils inherent in popular notions of masculinity.
Jokha Alharthi’s Man Booker International Prize-winning novel employs elaborate and poetic prose as it gazes into Oman's cultural bounty.
Amrita Mahale’s debut novel takes you on an engaging journey through the crowded streets and tiresome middle-class hypocrisy of '90s Bombay.
Conceptualised by the Kadak Collective, the Bystander anthology is an ambitious crowdfunded project that aims to gather works created by a diverse group of over 50 South Asian creators from 13 countries.
The path to the American dream is paved with nightmares in Sonejuhi Sinha’s Stray Dolls, which premiered at the Tribeca Film Festival last month.
In its lyrical, deconstructed form, Tishani Doshi's latest novel tells the story of big things that happen in small places.
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